Review: Palm Springs is a fresh, slyly self-aware addition to time loop trope

Andy Samberg and Cristin Milioti relive the same day over and over in Palm Springs, now streaming on Hulu.

Last year gave us two innovative multiverse twists on the well-worn time-loop trope: the Netflix comedy series Russian Doll, and the horror/comedy Happy Death Day 2 U (a sequel to 2018’s Happy Death Day). One would think there wouldn’t be many new veins to mine in this subgenre, but Palm Springs rises to the challenge, delivering a slyly subversive, charmingly self-aware time loop tale that toys with audience expectations in subtly surprising ways.

(Some spoilers below, but no major reveals.)

Screenwriter Andy Siara (Lodge 49) wrote a draft of the script while still a student at the American Film Institute, although there were no science-fiction-y time loop elements in that version. He has said he was inspired more by Leaving Las Vegas than Groundhog Day. Eventually he reworked the script with the help of Director Max Barbakow (Palm Springs is Barbakow’s directorial debut), and Saturday Night Live alum Andy Samberg (Brooklyn Nine-Nine) signed on to star in the film. The film premiered earlier this year at the Sundance Film Festival (pre-coronavirus), and sparked a bidding war for distribution rights. Neon and Hulu ultimately shelled out a purported $17.5 million for those rights—the biggest deal yet in Sundance’s history.

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